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| LEADER |
01914nam a2200277 a 4500 |
| 001 |
000604473 |
| 005 |
20090324110744.0 |
| 007 |
ta |
| 008 |
081103s1955 nyu gr 000 d eng d |
| 040 |
|
|
|a mxbn
|b spa
|c mxbn
|
| 082 |
0 |
4 |
|a 812.5
|b ONE.p.
|
| 100 |
1 |
|
|a O'Neill, Eugene
|d 1888-1953
|
| 245 |
1 |
4 |
|a The Plays of Eugene O’Neill /
|c Eugene O´Neill.
|
| 250 |
|
|
|a 5a. ed.
|
| 260 |
|
|
|a New York :
|b Random House,
|c 1955.
|
| 300 |
|
|
|a 3 v. ;
|c 21 cm.
|
| 500 |
|
|
|a Ejemplar del archivo Celestino Gorostiza con dedicatoria
|
| 505 |
0 |
|
|a v. 1. Strange interlude. Desire under the elms. Lazarus laughed. The fountain. The moon of the Caribbees. Bound east for Cardiff. The long voyage home. In the zone. Ile. Where the cross is made. The rope. The dreamy kid. Before breakfast -- v. 2. Mourning becomes Electra. Ah, wilderness! All God’s chillun got wings. Marco Millions. Welded. Diff’rent. The first man. Gold -- v. 3. Anna Christie. Beyond the horizon, The hairy ape. The great god brown. The straw. Dynamo. Days without end. The iceman cometh.
|
| 852 |
|
|
|l BNM01
|l BNM01
|m LIB
|1 A
|a Archivos y Manuscritos (BN-FR)
|2 ACGOL
|b Fondo de Celestino Gorostiza
|3 812.5 ONE.p.
|h Fondo Reservado
|6 0718565
|5 0718565
|4 Inventariado 2009 por saraf
|7 Inventariado 2009
|8 20081124
|b 1
|f 05
|f En servicio
|g 38080
|h v. 1
|
| 852 |
|
|
|l BNM01
|l BNM01
|m LIB
|1 A
|a Archivos y Manuscritos (BN-FR)
|2 ACGOL
|b Fondo de Celestino Gorostiza
|3 812.5 ONE.p.
|h Fondo Reservado
|6 0718566
|5 0718566
|4 Inventariado 2009 por saraf
|7 Inventariado 2009
|8 20081124
|b 2
|f 05
|f En servicio
|g 38080
|h v. 2
|
| 852 |
|
|
|l BNM01
|l BNM01
|m LIB
|1 A
|a Archivos y Manuscritos (BN-FR)
|2 ACGOL
|b Fondo de Celestino Gorostiza
|3 812.5 ONE.p.
|h Fondo Reservado
|6 0718567
|5 0718567
|4 Inventariado 2009 por saraf
|7 Inventariado 2009
|8 20081124
|b 3
|f 05
|f En servicio
|g 38080
|h v. 3
|
| 900 |
|
|
|a 09-323-12-tao/gv
|
| 905 |
|
|
|a A
|b ACGOL
|
| 950 |
|
|
|a 0718565 (v. 1)
|
| 950 |
|
|
|a 0718567 (v. 2)
|
| 950 |
|
|
|a 0718566 (v. 3)
|
